If you want to be guaranteed a seat please arrive early. We give a $1 discount to anyone with a bike helmet, and you can see movies forįree on your birthday, or if you are assisting someone in a wheelchair. IFS screens films in Muenzinger Auditorium, west of Folsom Football Stadium. Prices vary.įirst Person Cinema events screen in the VAC basement auditorium on select Mondays.Ĭelebrating Stan screens in ATLAS 100. When you watch these theatrical releases at home, the distributor will Virtual screenings from independent distributors support the IFS through revenue Know how many people are in your group by email. We're happy to save seats for anyone traveling from afar-just let us Rare sell-outs, by arriving a bit early you're almost certainly guaranteed a IFS tickets are only available at the door on day of show. Teenage boys aren't alone in exploring their confused and unruly libidos. She's a well-established movie meme so is her sister (Beate Støfring), a coldhearted thing who swipes on the lip gloss before heading to battle. Repeated visual motifs play up the crushing sameness of rural life for resident teens, and Malin Bjørhovde, as Alma's best friend, has the morose stare and deadpan phrasings of glum goth dreamers across the globe - at least the ones in high-school comedies. The most effective - and lyrical - touch is the use of black-and-white stills to illustrate a few of Alma's bleaker daydreams. The film's editing and pacingĪre appealingly straightforward, not to say blunt, and the humor runs from dry to bone-dry to parched. Written and directed by Jannicke Systad Jacobsen from a novel by Olaug Nilssen, "Turn Me On, Dammit!" clocks in at 73 minutes, many of them devoted to graphic sexual daydreams starring approximately every other person Alma meets. So goes Alma's story, a coming-of-age tale that's actually less concerned with any carnal loss of innocence - intercourse simply isn't the point - than her ostracism at school and the slower, stranger loss of her social bearings. They repeat this revelation, disbelieve it and disparage her. At a party, he exposes himself to her, poking her with the relevant body part. Lying in bed at night, Alma fantasizes about Artur (Matias Myren), a tall, inexpressive boy who lives down the road. She does this activity while lying on the kitchen floor, listening to phone sex, at least until Mom gets back from her job at the turnip factory. Turn Me On, Dammit Comedy 1h 13m 2011 Norwegian Play Turn Me On, Dammit 1h 13m A 15-year-old Norwegian teen is eager to explore her budding sexuality, but an encounter with the school heart-throb makes her a social outcast. All the time.Īlma (Helene Bergsholm) does what many folks do when overtaken by such feelings at such moments when there are no other options. After appearing as an actor in a 1967 film, he went 25 years until his next film role, qualifying him as a true Hollywood enigma."Turn Me On, Dammit!" is a small Norwegian film about a small-town Norwegian 15-year-old with a small, if universal, problem: She's super horny. It would be decades before British director Michael Sarne would be given an assignment after this disaster. William Hopper appears as a pot smoking judge. The thin plot find Myra seeking out Buck for an inheritance from a distant relative. Carmel and Kathleen Freeman also appear in this film. Myra makes love with Rusty (Roger Herren), his first amorous experience. Farrah Fawcett play Mary Ann, who stirs the lesbian fantasies of Myra, and Tom Selleck is one of Leticia's serviceable studs. West makes her first film appearance in 26 years. Leticia (Mae West) is the lecherous theatrical agent who scouts talent at the acting school of Buck Loner (John Huston). This alone is enough to qualify as a horror film. Myra (Raquel Welch) undergoes a sex change operation by two doctors (John Carradine and Jim Backus) and becomes a man (Rex Reed). This book is an amusing story about sexual transformation, but despite an all-star cast, the film is a dismal failure. This uneven film is taken from the novel by Gore Vidal.
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